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"You're lucky you didn't turn on the light..." A young carer is traumatized for life when she finds her patient, Attorney General Nicholson, brutally murdered in his bed. The act itself seems absurd - Nicholson had terminal cancer and only a few weeks left to live. But what shocks detective Robert Hunter the most is the "artwork" the killer left behind at the crime scene. Hunter has no doubt that the killer is trying to communicate with the police, but the method he has chosen is highly unusual – something Hunter has never encountered in his career. And he has no way of understanding what the hidden message might be. Just when Hunter and his partner Garcia think they're on a good lead, a new body – and a new piece of “art” – turns up. But they can't find a connection between the first and the second victim, so they keep tapping. Hunter is in a race against time and the Sculptor of Death, who in turn is preparing the final touches to his masterpiece.
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